{"id":16185,"date":"2021-04-01T09:25:46","date_gmt":"2021-04-01T12:25:46","guid":{"rendered":"https:\/\/www.ufmg.br\/centrocultural\/?p=16185"},"modified":"2022-03-18T09:28:30","modified_gmt":"2022-03-18T12:28:30","slug":"centro-cultural-ufmg-realiza-mostra-de-filmes-para-apreciar-o-cinema-iraniano","status":"publish","type":"post","link":"https:\/\/www.ufmg.br\/centrocultural\/centro-cultural-ufmg-realiza-mostra-de-filmes-para-apreciar-o-cinema-iraniano\/","title":{"rendered":"Centro Cultural UFMG realiza mostra de filmes para apreciar o cinema iraniano"},"content":{"rendered":"<p><span style=\"font-family: Arial; font-size: medium;\">O CineCentro de abril traz a <\/span><span style=\"font-family: Arial; font-size: medium;\"><b><i>\u201cMostra Novo Cinema Iraniano\u201d<\/i><\/b><\/span><span style=\"font-family: Arial; font-size: medium;\">\u00a0e torna acess\u00edvel uma sele\u00e7\u00e3o de obras de alguns dos mais influentes diretores do Ir\u00e3, que por meio de seus filmes desconstru\u00edram muitos estere\u00f3tipos veiculados pela m\u00eddia ocidental sobre o pa\u00eds. Eles demonstram como \u00e9 poss\u00edvel a multiplicidade de pensamentos, posi\u00e7\u00f5es e significados, bem como coexistir apesar dos conflitos internos e externos, al\u00e9m das tradi\u00e7\u00f5es religiosas rigorosas e limitantes da na\u00e7\u00e3o. <\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">O cinema iraniano, ap\u00f3s a Revolu\u00e7\u00e3o Isl\u00e2mica (1979), que paralisou a produ\u00e7\u00e3o cinematogr\u00e1fica entre 1979 e 1983, ressurgiu como um grande realizador dotado de acurada qualidade est\u00e9tica e human\u00edstica e conquistou diversos pr\u00eamios internacionais de cinema, como Cannes, Oscar, Veneza, Locarno, Berlim, S\u00e3o Paulo, dentre outros. Apesar do grande reconhecimento internacional, a forte censura imposta pelo Regime Iraniano fez com que muitos cineastas fossem presos, exilados e proibidos de exibir seus filmes no pa\u00eds, entre eles <\/span><span style=\"font-family: Arial; font-size: medium;\"><i>Jafar Panahi<\/i><\/span><span style=\"font-family: Arial; font-size: medium;\">, <\/span><span style=\"font-family: Arial; font-size: medium;\"><i>Bahman Ghobadi<\/i><\/span><span style=\"font-family: Arial; font-size: medium;\">\u00a0e <\/span><span style=\"font-family: Arial; font-size: medium;\"><i>Mohsen Makhmalbaf<\/i><\/span><span style=\"font-family: Arial; font-size: medium;\">.<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">Um grande m\u00e9rito do \u201c<\/span><span style=\"font-family: Arial; font-size: medium;\">Novo Cinema Iraniano<\/span><span style=\"font-family: Arial; font-size: medium;\">\u201d ou persa, como tamb\u00e9m \u00e9 denominado, \u00e9 construir narrativas reflexivas, aparentemente simples do cotidiano dos iranianos, que t\u00eam que lidar com grandes dificuldades econ\u00f4micas, sociais e culturais. As pel\u00edculas misturam document\u00e1rio e fic\u00e7\u00e3o, tentando se aproximar da realidade de maneira natural, despretensiosa e po\u00e9tica. As tem\u00e1ticas abordadas s\u00e3o muitas vezes baseada em valores universais, como inf\u00e2ncia, juventude, morte, amor e amizade.<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">A programa\u00e7\u00e3o do CineCl\u00e1ssico Quarentena engloba obras representativas dos seguintes cineastas iranianos: <\/span><span style=\"font-family: Arial; font-size: medium;\"><i>Abbas Kiarostami<\/i><\/span><span style=\"font-family: Arial; font-size: medium;\">, <\/span><span style=\"font-family: Arial; font-size: medium;\"><i>Asghar Farhadi<\/i><\/span><span style=\"font-family: Arial; font-size: medium;\">, <\/span><span style=\"font-family: Arial; font-size: medium;\"><i>Ebrahim Foruzesh<\/i><\/span><span style=\"font-family: Arial; font-size: medium;\">, <\/span><span style=\"font-family: Arial; font-size: medium;\"><i>Hana Makhmalbaf<\/i><\/span><span style=\"font-family: Arial; font-size: medium;\"><b>,<\/b><\/span><span style=\"font-family: Arial; font-size: medium;\">\u00a0<\/span><span style=\"font-family: Arial; font-size: medium;\"><i>Jafar Panahi<\/i><\/span><span style=\"font-family: Arial; font-size: medium;\">, <\/span><span style=\"font-family: Arial; font-size: medium;\"><i>Majid Majidi<\/i><\/span><span style=\"font-family: Arial; font-size: medium;\">, <\/span><span style=\"font-family: Arial; font-size: medium;\"><i>Mohsen Makhmalbaf<\/i><\/span><span style=\"font-family: Arial; font-size: medium;\">\u00a0e <\/span><span style=\"font-family: Arial; font-size: medium;\"><i>Samira Makhmalbaf<\/i><\/span><span style=\"font-family: Arial; font-size: medium;\">.<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">Os filmes podem ser encontrados na \u00edntegra pelos links fornecidos abaixo:<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">01.04 &#8211;<\/span><span style=\"font-family: Arial; font-size: medium;\"><b>\u00a0Gosto de cereja<\/b><\/span><span style=\"font-family: Arial; font-size: medium;\">\u00a0&#8211; (Ta&#8217;m e guilass (t\u00edtulo original), Drama, 1997, Ir\u00e3, Fran\u00e7a, Dire\u00e7\u00e3o: Abbas Kiarostami, 95\u2019, Livre).<\/span><\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-medium wp-image-16186\" src=\"https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/01.04-Gosto-de-cereja-600x366.jpg\" alt=\"\" width=\"600\" height=\"366\" srcset=\"https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/01.04-Gosto-de-cereja-600x366.jpg 600w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/01.04-Gosto-de-cereja-768x469.jpg 768w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/01.04-Gosto-de-cereja-580x354.jpg 580w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/01.04-Gosto-de-cereja-860x525.jpg 860w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/01.04-Gosto-de-cereja.jpg 1024w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">Acompanhamos o Sr. Badii (Homayoun Ershadi) viajando de carro pelos campos do Teer\u00e3, procurando algu\u00e9m que esteja disposto a ajud\u00e1-lo em um plano que reflete toda a sua amargura e solid\u00e3o.<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">Link do filme: <\/span><a href=\"https:\/\/www.youtube.com\/watch?v=6FfyHOvWHhE\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3D6FfyHOvWHhE&amp;source=gmail&amp;ust=1617711685349000&amp;usg=AFQjCNFqfaV5RegRyfPVRFsHHpG0Pc6D6g\"><span style=\"color: #0000ff; font-family: Arial; font-size: medium;\"><u>https:\/\/www.youtube.com\/watch?<wbr \/>v=6FfyHOvWHhE<\/u><\/span><\/a><span style=\"font-family: Arial; font-size: medium;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">06.04 &#8211;<\/span><span style=\"font-family: Arial; font-size: medium;\"><b>\u00a0A separa\u00e7\u00e3o<\/b><\/span><span style=\"font-family: Arial; font-size: medium;\">\u00a0&#8211; (Jodaeiye Nader az Simin (t\u00edtulo original), Drama, 2011, Ir\u00e3, Fran\u00e7a, Austr\u00e1lia, Dire\u00e7\u00e3o: Asghar Farhadi, 123\u2019, Livre).<\/span><\/p>\n<p><img decoding=\"async\" class=\"alignnone size-medium wp-image-16194\" src=\"https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/06.04-A-separacao-600x401.jpg\" alt=\"\" width=\"600\" height=\"401\" srcset=\"https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/06.04-A-separacao-600x401.jpg 600w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/06.04-A-separacao-768x514.jpg 768w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/06.04-A-separacao-860x575.jpg 860w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/06.04-A-separacao-580x388.jpg 580w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/06.04-A-separacao.jpg 1024w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">Ap\u00f3s se divorciar da esposa Simin (Leila Hatami), Nader (Payman Maadi) \u00e9 obrigado a contratar uma jovem para tomar conta de seu pai idoso, que sofre de Alzheimer em est\u00e1gio avan\u00e7ado, mas sua vida vira um inferno.<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">Link do filme: <\/span><a href=\"https:\/\/ok.ru\/video\/2395626670677\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/ok.ru\/video\/2395626670677&amp;source=gmail&amp;ust=1617711685349000&amp;usg=AFQjCNEg1UZNRd6QPPXRCkwSHvhc6SUAIw\"><span style=\"color: #0000ff; font-family: Arial; font-size: medium;\"><u>https:\/\/ok.ru\/video\/<wbr \/>2395626670677<\/u><\/span><\/a><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">08.04 &#8211;<\/span><span style=\"font-family: Arial; font-size: medium;\"><b>\u00a0Tartarugas podem voar <\/b><\/span><span style=\"font-family: Arial; font-size: medium;\">&#8211; (Lakposhtha parvaz mikonand (t\u00edtulo original), Drama, Guerra, 2004, Ir\u00e3, Fran\u00e7a, Iraque, Dire\u00e7\u00e3o: Bahman Ghobadi, 98\u2019, Livre).<\/span><\/p>\n<p><img decoding=\"async\" class=\"alignnone size-medium wp-image-16193\" src=\"https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/08.04-Tartarugas-podem-voar-600x379.jpg\" alt=\"\" width=\"600\" height=\"379\" srcset=\"https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/08.04-Tartarugas-podem-voar-600x379.jpg 600w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/08.04-Tartarugas-podem-voar-768x485.jpg 768w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/08.04-Tartarugas-podem-voar-580x366.jpg 580w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/08.04-Tartarugas-podem-voar-860x543.jpg 860w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/08.04-Tartarugas-podem-voar.jpg 1024w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">Em uma vila de curdos no Iraque, na fronteira entre o Ir\u00e3 e a Turquia, pouco antes do ataque americano contra o pa\u00eds, os moradores locais buscam desesperadamente uma antena parab\u00f3lica na inten\u00e7\u00e3o de ter not\u00edcias via sat\u00e9lite.<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">Link do filme: <\/span><a href=\"https:\/\/www.youtube.com\/watch?v=5n1Af5_TjrI\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3D5n1Af5_TjrI&amp;source=gmail&amp;ust=1617711685349000&amp;usg=AFQjCNG4RaiaSjKYzDuMaCDvjKBBBMSsxw\"><span style=\"color: #0000ff; font-family: Arial; font-size: medium;\"><u>https:\/\/www.youtube.com\/watch?<wbr \/>v=5n1Af5_TjrI<\/u><\/span><\/a><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">13.04 &#8211;<\/span><span style=\"font-family: Arial; font-size: medium;\"><b>\u00a0O jarro<\/b><\/span><span style=\"font-family: Arial; font-size: medium;\">\u00a0&#8211; (Khomreh (t\u00edtulo original), Drama, Fam\u00edlia, 1992, Ir\u00e3, Dire\u00e7\u00e3o: Ebrahim Forouzesh, 86\u2019, Livre).<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16192\" src=\"https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/13.04-O-jarro-600x422.jpg\" alt=\"\" width=\"600\" height=\"422\" srcset=\"https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/13.04-O-jarro-600x422.jpg 600w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/13.04-O-jarro-768x541.jpg 768w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/13.04-O-jarro-580x408.jpg 580w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/13.04-O-jarro-860x606.jpg 860w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/13.04-O-jarro.jpg 1024w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">Numa aldeia iraniana no deserto, um grande problema tem in\u00edcio quando o jarro que serve para matar a sede dos alunos da escola local fica trincado. A comunidade descobre a solidariedade que os une na tentativa de resolver o problema.<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">Link do filme: <\/span><a href=\"https:\/\/www.youtube.com\/watch?v=LC-S0fTMY-M\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3DLC-S0fTMY-M&amp;source=gmail&amp;ust=1617711685349000&amp;usg=AFQjCNFgOwM-T1mDDS-jeYuxRbCCFzhrjQ\"><span style=\"color: #0000ff; font-family: Arial; font-size: medium;\"><u>https:\/\/www.youtube.com\/watch?<wbr \/>v=LC-S0fTMY-M<\/u><\/span><\/a><span style=\"font-family: Arial; font-size: medium;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">15.04 &#8211;<\/span><span style=\"font-family: Arial; font-size: medium;\"><b>\u00a0E Buda desabou de vergonha<\/b><\/span><span style=\"font-family: Arial; font-size: medium;\">\u00a0&#8211; (Buda as Sharm Foru Rikht (t\u00edtulo original), Drama, Guerra, 2007, Ir\u00e3, Dire\u00e7\u00e3o: Hana Makhmalbaf, 81, Livre).<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16191\" src=\"https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/15.04-E-Buda-desabou-de-vergonha-600x338.jpg\" alt=\"\" width=\"600\" height=\"338\" srcset=\"https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/15.04-E-Buda-desabou-de-vergonha-600x338.jpg 600w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/15.04-E-Buda-desabou-de-vergonha-768x432.jpg 768w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/15.04-E-Buda-desabou-de-vergonha-580x326.jpg 580w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/15.04-E-Buda-desabou-de-vergonha-860x484.jpg 860w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/15.04-E-Buda-desabou-de-vergonha.jpg 1024w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">Nas ru\u00ednas das esculturas ancestrais de Bamiyan ainda vive uma popula\u00e7\u00e3o mu\u00e7ulmana onde encontramos a pequena Bakhtay, uma menininha de seis anos de idade que sonha em ir \u00e0 escola aprender a ler e a escrever.<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">Link do filme: <\/span><a href=\"https:\/\/www.youtube.com\/watch?v=eMXiZFwIePQ\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3DeMXiZFwIePQ&amp;source=gmail&amp;ust=1617711685349000&amp;usg=AFQjCNGu-9ABlyxIk59ONWna02cDHGAiNw\"><span style=\"color: #0000ff; font-family: Arial; font-size: medium;\"><u>https:\/\/www.youtube.com\/watch?<wbr \/>v=eMXiZFwIePQ<\/u><\/span><\/a><span style=\"font-family: Arial; font-size: medium;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">20.04 &#8211;<\/span><span style=\"font-family: Arial; font-size: medium;\"><b>\u00a0T\u00e1xi Teer\u00e3 <\/b><\/span><span style=\"font-family: Arial; font-size: medium;\">&#8211; (Taxi (t\u00edtulo original), Com\u00e9dia, Drama, 2015, Ir\u00e3, Dire\u00e7\u00e3o: Jafar Panahi, 82, Livre).<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16190\" src=\"https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/20.04-Taxi-Teera-600x400.jpg\" alt=\"\" width=\"600\" height=\"400\" srcset=\"https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/20.04-Taxi-Teera-600x400.jpg 600w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/20.04-Taxi-Teera-768x512.jpg 768w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/20.04-Taxi-Teera-860x573.jpg 860w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/20.04-Taxi-Teera-580x386.jpg 580w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/20.04-Taxi-Teera.jpg 1024w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">Depois de ser preso e proibido pelo governo iraniano de fazer filmes, Jafar Panahi decide burlar as regras e filmar secretamente. Disfar\u00e7ado de taxista, o diretor recebe moradores comuns de Teer\u00e3 em seu carro e filma discuss\u00f5es sobre o cotidiano e a pol\u00edtica do pa\u00eds. O filme ganhou o Urso de Ouro em Berlim.<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">Link do filme: <\/span><a href=\"https:\/\/www.youtube.com\/watch?v=pb3L0B0SGE4\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3Dpb3L0B0SGE4&amp;source=gmail&amp;ust=1617711685349000&amp;usg=AFQjCNGC_EOOgFhpbuXOjQo7bHRO7o6mEQ\"><span style=\"color: #0000ff; font-family: Arial; font-size: medium;\"><u>https:\/\/www.youtube.com\/watch?<wbr \/>v=pb3L0B0SGE4<\/u><\/span><\/a><span style=\"font-family: Arial; font-size: medium;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">22.04 &#8211;<\/span><span style=\"font-family: Arial; font-size: medium;\"><b>\u00a0<\/b><\/span><span style=\"font-family: Arial; font-size: medium;\"><b>Filhos do Para\u00edso<\/b><\/span><span style=\"color: #2f2f2f; font-family: Arial; font-size: medium;\"><b>\u00a0<\/b><\/span><span style=\"font-family: Arial; font-size: medium;\">&#8211; <\/span><span style=\"color: #2f2f2f; font-family: Arial; font-size: medium;\">(Bacheha-Ye aseman (t\u00edtulo original), Drama, Fam\u00edlia, Esporte, 1997, <\/span><span style=\"font-family: Arial; font-size: medium;\">Ir\u00e3, <\/span><span style=\"color: #2f2f2f; font-family: Arial; font-size: medium;\">Dire\u00e7\u00e3o: Majid Majidi, 89, Livre).<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16189\" src=\"https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/22.04-Filhos-do-Paraiso-600x338.jpg\" alt=\"\" width=\"600\" height=\"338\" srcset=\"https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/22.04-Filhos-do-Paraiso-600x338.jpg 600w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/22.04-Filhos-do-Paraiso-768x432.jpg 768w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/22.04-Filhos-do-Paraiso-580x326.jpg 580w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/22.04-Filhos-do-Paraiso-860x484.jpg 860w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/22.04-Filhos-do-Paraiso.jpg 1024w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">Um menino perde os sapatos de sua irm\u00e3 mais nova e, para resolver a situa\u00e7\u00e3o, decide dividir com ela o seu \u00fanico par.<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">Link do filme: <\/span><a href=\"https:\/\/ok.ru\/video\/2291353127531\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/ok.ru\/video\/2291353127531&amp;source=gmail&amp;ust=1617711685349000&amp;usg=AFQjCNFfhHMarBEclk-cXCTGJ6JrqbLJ2w\"><span style=\"color: #0000ff; font-family: Arial; font-size: medium;\"><u>https:\/\/ok.ru\/video\/<wbr \/>2291353127531<\/u><\/span><\/a><span style=\"font-family: Arial; font-size: medium;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">27.04 &#8211;<\/span><span style=\"font-family: Arial; font-size: medium;\"><b>\u00a0O Ciclista<\/b><\/span><span style=\"font-family: Arial; font-size: medium;\">\u00a0&#8211; (Bicycleran (t\u00edtulo original), Drama, 1989, Ir\u00e3, Dire\u00e7\u00e3o: Mohsen Makhmalbaf, 82, Livre).<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16188\" src=\"https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/27.04-O-Ciclista-600x338.jpg\" alt=\"\" width=\"600\" height=\"338\" srcset=\"https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/27.04-O-Ciclista-600x338.jpg 600w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/27.04-O-Ciclista-768x432.jpg 768w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/27.04-O-Ciclista-580x326.jpg 580w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/27.04-O-Ciclista-860x484.jpg 860w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/27.04-O-Ciclista.jpg 1024w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><br \/>\n<span style=\"font-family: Arial; font-size: medium;\">Nasim (Moharram Zaynalzadeh), um imigrante afeg\u00e3o que mora no Ir\u00e3, precisa reunir a maior quantia de dinheiro poss\u00edvel para poder bancar o tratamento de sua esposa, que est\u00e1 gravemente enferma. Para juntar o dinheiro necess\u00e1rio, ele aceita ser um ciclista em um emprego peculiar que atrai a aten\u00e7\u00e3o das autoridades, que passam a acreditar que ele \u00e9 um espi\u00e3o estrangeiro.<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">Link do filme: <\/span><a href=\"https:\/\/www.youtube.com\/watch?v=fGEAlY60UmA&amp;t=291s\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3DfGEAlY60UmA%26t%3D291s&amp;source=gmail&amp;ust=1617711685349000&amp;usg=AFQjCNHYIvhMd-DXZ4UJ06mWS6NG4SlAaQ\"><span style=\"color: #0000ff; font-family: Arial; font-size: medium;\"><u>https:\/\/www.youtube.com\/watch?<wbr \/>v=fGEAlY60UmA&amp;t=291s<\/u><\/span><\/a><span style=\"font-family: Arial; font-size: medium;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\"><b>29.04 &#8211; A ma\u00e7\u00e3 <\/b><\/span><span style=\"font-family: Arial; font-size: medium;\">&#8211;<\/span><span style=\"font-family: Arial; font-size: medium;\">\u00a0<\/span><span style=\"font-family: Arial; font-size: medium;\">(Sib (t\u00edtulo original), Drama, 1998, Ir\u00e3, Fran\u00e7a, Pa\u00edses Baixos, Dire\u00e7\u00e3o: Samira Makhmalbaf, 86\u2019, Livre).<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-16187\" src=\"https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/29.04-A-maca-600x338.jpg\" alt=\"\" width=\"600\" height=\"338\" srcset=\"https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/29.04-A-maca-600x338.jpg 600w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/29.04-A-maca-768x432.jpg 768w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/29.04-A-maca-580x326.jpg 580w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/29.04-A-maca-860x484.jpg 860w, https:\/\/www.ufmg.br\/centrocultural\/wp-content\/uploads\/2021\/04\/29.04-A-maca.jpg 1024w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">Duas garotas vivem trancadas em casa por seus pais, um homem desempregado e sua mulher cega, durante onze anos. Os vizinhos chamam os servi\u00e7os sociais para investigar a situa\u00e7\u00e3o e elas t\u00eam que lidar com o mundo exterior pela primeira vez.<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">Link do filme: <\/span><a href=\"https:\/\/www.youtube.com\/watch?v=buhLlfTVPwI\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3DbuhLlfTVPwI&amp;source=gmail&amp;ust=1617711685349000&amp;usg=AFQjCNEtkBbrCiux648jB-riKuoDfQHtTw\"><span style=\"color: #0000ff; font-family: Arial; font-size: medium;\"><u>https:\/\/www.youtube.com\/watch?<wbr \/>v=buhLlfTVPwI<\/u><\/span><\/a><span style=\"font-family: Arial; font-size: medium;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">Outros filmes iranianos para maratonar:<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\"><b>&#8211; Atrav\u00e9s<\/b><\/span><span style=\"font-family: Arial; font-size: medium;\">\u00a0<\/span><span style=\"font-family: Arial; font-size: medium;\"><b>das oliveiras<\/b><\/span><span style=\"font-family: Arial; font-size: medium;\">\u00a0&#8211; (Zire darakhatan zeyton (t\u00edtulo original), Drama, 1994, Ir\u00e3, Fran\u00e7a, Dire\u00e7\u00e3o: Abbas Kiarostami, 103\u2019, Livre).<\/span><br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=KYbcaGqw_g8\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3DKYbcaGqw_g8&amp;source=gmail&amp;ust=1617711685349000&amp;usg=AFQjCNERAsit9iARnIyZbH5X_L7QL2Q9Zg\"><span style=\"color: #0000ff; font-family: Arial; font-size: medium;\"><u>https:\/\/www.youtube.com\/watch?<wbr \/>v=KYbcaGqw_g8<\/u><\/span><\/a><span style=\"font-family: Arial; font-size: medium;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\"><b>&#8211; Close up <\/b><\/span><span style=\"font-family: Arial; font-size: medium;\">&#8211; (Nema-ye Nazdik \u00a0(t\u00edtulo original), Drama, 1990, Ir\u00e3, Dire\u00e7\u00e3o: Abbas Kiarostami, 98\u2019, Livre).<\/span><br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=TpUjaxZL04w&amp;t=129s\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3DTpUjaxZL04w%26t%3D129s&amp;source=gmail&amp;ust=1617711685349000&amp;usg=AFQjCNH9q4QZKjAOjgnNoqNhE1oS4J567A\"><span style=\"color: #0000ff; font-family: Arial; font-size: medium;\"><u>https:\/\/www.youtube.com\/watch?<wbr \/>v=TpUjaxZL04w&amp;t=129s<\/u><\/span><\/a><span style=\"font-family: Arial; font-size: medium;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\"><b>&#8211; O apartamento<\/b><\/span><span style=\"font-family: Arial; font-size: medium;\">\u00a0&#8211; (Forushande (t\u00edtulo original), Drama, 2016, Ir\u00e3, Fran\u00e7a, Dire\u00e7\u00e3o: Asghar Farhadi 124\u2019, Livre).<\/span><br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=I7daK86-_3U\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3DI7daK86-_3U&amp;source=gmail&amp;ust=1617711685349000&amp;usg=AFQjCNFgy7kzsmmTuNVOyG5mETuWOADygg\"><span style=\"color: #0000ff; font-family: Arial; font-size: medium;\"><u>https:\/\/www.youtube.com\/watch?<wbr \/>v=I7daK86-_3U<\/u><\/span><\/a><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\"><b>&#8211; O espelho<\/b><\/span><span style=\"font-family: Arial; font-size: medium;\">\u00a0&#8211; (Ayneh \u00a0(t\u00edtulo original), Drama, 1997, Dire\u00e7\u00e3o: Jafar Panahi, 95, Ir\u00e3, Livre). \u00a0<\/span><br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=peTqzmY0bCo\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3DpeTqzmY0bCo&amp;source=gmail&amp;ust=1617711685349000&amp;usg=AFQjCNHm7mU2G4wlOVL2rHKTB4gwsYjD2Q\"><span style=\"color: #0000ff; font-family: Arial; font-size: medium;\"><u>https:\/\/www.youtube.com\/watch?<wbr \/>v=peTqzmY0bCo<\/u><\/span><\/a><span style=\"font-family: Arial; font-size: medium;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\"><b>&#8211; O c\u00edrculo <\/b><\/span><span style=\"font-family: Arial; font-size: medium;\">&#8211; (Dayereh (t\u00edtulo original), Drama, 2000, Dire\u00e7\u00e3o: Jafar Panahi,<\/span><span style=\"font-family: Arial; font-size: medium;\">\u00a0<\/span><span style=\"font-family: Arial; font-size: medium;\">Ir\u00e3, It\u00e1lia,<\/span><span style=\"font-family: Arial; font-size: medium;\"><b>\u00a0<\/b><\/span><span style=\"font-family: Arial; font-size: medium;\">Su\u00ed\u00e7a, 81, Livre).<\/span><br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=SepARlBJoDw\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3DSepARlBJoDw&amp;source=gmail&amp;ust=1617711685349000&amp;usg=AFQjCNHkBMeVNNeLUd6N5Qa419tM9ICvAQ\"><span style=\"color: #0000ff; font-family: Arial; font-size: medium;\"><u>https:\/\/www.youtube.com\/watch?<wbr \/>v=SepARlBJoDw<\/u><\/span><\/a><span style=\"font-family: Arial; font-size: medium;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\"><b>&#8211; A cor do para\u00edso <\/b><\/span><span style=\"font-family: Arial; font-size: medium;\">&#8211; (Rang-e khoda (t\u00edtulo original), Drama, Fam\u00edlia, 1999,<\/span><span style=\"font-family: Arial; font-size: medium;\">\u00a0<\/span><span style=\"font-family: Arial; font-size: medium;\">Ir\u00e3,<\/span><span style=\"font-family: Arial; font-size: medium;\"><b>\u00a0<\/b><\/span><span style=\"font-family: Arial; font-size: medium;\">Dire\u00e7\u00e3o: Majid Majidi, 90, Livre).<\/span><br \/>\n<a href=\"https:\/\/www.gloria.tv\/post\/imDffsTd8yFo3hrBbdkfmwW4y\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.gloria.tv\/post\/imDffsTd8yFo3hrBbdkfmwW4y&amp;source=gmail&amp;ust=1617711685349000&amp;usg=AFQjCNEWrqNZkq_zicV8FQN_UNYcbFuNTA\"><span style=\"color: #0000ff; font-family: Arial; font-size: medium;\"><u>https:\/\/www.gloria.tv\/post\/<wbr \/>imDffsTd8yFo3hrBbdkfmwW4y<\/u><\/span><\/a><span style=\"color: #2f2f2f; font-family: Arial; font-size: medium;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\"><b>&#8211; O canto dos pardais <\/b><\/span><span style=\"font-family: Arial; font-size: medium;\">&#8211; \u00a0(Avaze gonjeshk-ha (t\u00edtulo original), Drama, Fam\u00edlia, 2007, <\/span><span style=\"font-family: Arial; font-size: medium;\">Ir\u00e3,<\/span><span style=\"font-family: Arial; font-size: medium;\">\u00a0Dire\u00e7\u00e3o: Majid Majidif, 96, Livre).<\/span><br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=xqRmij8swgU\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/watch?v%3DxqRmij8swgU&amp;source=gmail&amp;ust=1617711685349000&amp;usg=AFQjCNHXLybtPKDIH-vtpQ6sx4eBJLOuGQ\"><span style=\"color: #0000ff; font-family: Arial; font-size: medium;\"><u>https:\/\/www.youtube.com\/watch?<wbr \/>v=xqRmij8swgU<\/u><\/span><\/a><span style=\"font-family: Arial; font-size: medium;\">\u00a0<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">Refer\u00eancias e indica\u00e7\u00f5es de leituras:<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">PESSUTO, Kelen. O &#8216;espelho m\u00e1gico&#8217; do cinema iraniano: uma an\u00e1lise das performances dos &#8220;n\u00e3o&#8221; atores nos filmes de arte. 2011. 266 p. <\/span><span style=\"font-family: Arial; font-size: medium;\">Disserta\u00e7\u00e3o<\/span><span style=\"font-family: Arial; font-size: medium;\">\u00a0(mestrado) &#8211; Universidade Estadual de Campinas, Instituto de Artes, Campinas, SP. Dispon\u00edvel em: &lt;<\/span><a href=\"http:\/\/repositorio.unicamp.br\/jspui\/bitstream\/REPOSIP\/284435\/1\/Pessuto_Kelen_M.pdf\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/repositorio.unicamp.br\/jspui\/bitstream\/REPOSIP\/284435\/1\/Pessuto_Kelen_M.pdf&amp;source=gmail&amp;ust=1617711685349000&amp;usg=AFQjCNFBsHk5bYxRndF9TZs10zqvYTC-Ng\"><span style=\"color: #0000ff; font-family: Arial; font-size: medium;\"><u>http:\/\/repositorio.unicamp.<wbr \/>br\/jspui\/bitstream\/REPOSIP\/<wbr \/>284435\/1\/Pessuto_Kelen_M.pdf<\/u><\/span><\/a><span style=\"font-family: Arial; font-size: medium;\">&gt;. Acesso em: 23 mar. 2021.<\/span><\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\">KAHTALIAN, Marcos. Cinema fundamentalista: o cinema iraniano apos a Revolu\u00e7\u00e3o Isl\u00e2mica. 2001. 140 p.<\/span><span style=\"font-family: Arial; font-size: medium;\">\u00a0<\/span><span style=\"font-family: Arial; font-size: medium;\">Disserta\u00e7\u00e3o<\/span><span style=\"font-family: Arial; font-size: medium;\">\u00a0(mestrado) &#8211; Universidade Estadual de Campinas, Instituto de Artes, Campinas, SP. Dispon\u00edvel em: &lt;<\/span><a href=\"http:\/\/www.repositorio.unicamp.br\/bitstream\/REPOSIP\/284116\/1\/Kahtalian_Marcos_M.pdf\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/www.repositorio.unicamp.br\/bitstream\/REPOSIP\/284116\/1\/Kahtalian_Marcos_M.pdf&amp;source=gmail&amp;ust=1617711685349000&amp;usg=AFQjCNFZiXBm-gOqF0plWJjUkucQgmnG0g\"><span style=\"color: #0000ff; font-family: Arial; font-size: medium;\"><u>http:\/\/www.repositorio.<wbr \/>unicamp.br\/bitstream\/REPOSIP\/<wbr \/>284116\/1\/Kahtalian_Marcos_M.<wbr \/>pdf<\/u><\/span><\/a><span style=\"font-family: Arial; font-size: medium;\">&gt;. Acesso em: 23 mar. 2021.<\/span><\/p>\n<p>Nota: Para a realiza\u00e7\u00e3o do Projeto CineCentro Quarentena s\u00e3o elegidos filmes relativos ao tema, que est\u00e3o disponibilizados ao p\u00fablico em diversas plataformas. O projeto apenas indica os links desses filmes, cabendo ao interessado a pesquisa e a visualiza\u00e7\u00e3o dos mesmos.<\/p>\n<p><span style=\"font-family: Arial; font-size: medium;\"><b>Projeto CineCentro | CineCl\u00e1ssico Quarentena<\/b><\/span><br \/>\n<span style=\"font-family: Arial; font-size: medium;\">Ter\u00e7as e quintas-feiras nas Redes Sociais e Site do <span class=\"il\">Centro<\/span> <span class=\"il\">Cultural<\/span> UFMG<\/span><br \/>\n<span style=\"font-family: Arial; font-size: medium;\">Facebook: <\/span><a href=\"https:\/\/www.facebook.com\/centroculturalufmg\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.facebook.com\/centroculturalufmg&amp;source=gmail&amp;ust=1617711685349000&amp;usg=AFQjCNFppnW39TBWicoYVrwmSGbfsetQhQ\"><span style=\"color: #0082bf; font-family: Arial; font-size: medium;\"><u>https:\/\/www.facebook.com\/<wbr \/>centroculturalufmg<\/u><\/span><\/a><br \/>\n<span style=\"font-family: Arial; font-size: medium;\">Instagram: <\/span><a href=\"https:\/\/www.instagram.com\/centroculturalufmg\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.instagram.com\/centroculturalufmg&amp;source=gmail&amp;ust=1617711685349000&amp;usg=AFQjCNGA0-Ch3QYGGxuSU7AZ9w6P8Nljig\"><span style=\"color: #0082bf; font-family: Arial; font-size: medium;\"><u>https:\/\/www.instagram.com\/<wbr \/>centroculturalufmg<\/u><\/span><\/a><br \/>\n<span style=\"font-family: Arial; font-size: medium;\">YouTube: <\/span><a href=\"https:\/\/www.youtube.com\/c\/CentroCulturalUFMG\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/www.youtube.com\/c\/CentroCulturalUFMG&amp;source=gmail&amp;ust=1617711685349000&amp;usg=AFQjCNHT1LT3uy3CCL2tzwkqjshk2rL_Sw\"><span style=\"color: #0082bf; font-family: Arial; font-size: medium;\"><u>https:\/\/www.youtube.com\/c\/<wbr \/>CentroCulturalUFMG<\/u><\/span><\/a><br \/>\n<span style=\"font-family: Arial; font-size: medium;\">Twitter: <\/span><a href=\"https:\/\/twitter.com\/ccultufmg\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/twitter.com\/ccultufmg&amp;source=gmail&amp;ust=1617711685349000&amp;usg=AFQjCNFv1pjpaiktjIca2OFkS9qO1gNwrA\"><span style=\"color: #0082bf; font-family: Arial; font-size: medium;\"><u>https:\/\/twitter.com\/ccultufmg<\/u><\/span><\/a><span style=\"color: #0082bf; font-family: Arial; font-size: medium;\">\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>O CineCentro de abril traz a \u201cMostra Novo Cinema Iraniano\u201d\u00a0e torna acess\u00edvel uma sele\u00e7\u00e3o de obras de alguns dos mais influentes diretores do Ir\u00e3, que por meio de seus filmes&#8230;<\/p>\n","protected":false},"author":7,"featured_media":16188,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[55,91],"tags":[],"class_list":["post-16185","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinecentro","category-noticias"],"_links":{"self":[{"href":"https:\/\/www.ufmg.br\/centrocultural\/wp-json\/wp\/v2\/posts\/16185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufmg.br\/centrocultural\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufmg.br\/centrocultural\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufmg.br\/centrocultural\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufmg.br\/centrocultural\/wp-json\/wp\/v2\/comments?post=16185"}],"version-history":[{"count":2,"href":"https:\/\/www.ufmg.br\/centrocultural\/wp-json\/wp\/v2\/posts\/16185\/revisions"}],"predecessor-version":[{"id":16211,"href":"https:\/\/www.ufmg.br\/centrocultural\/wp-json\/wp\/v2\/posts\/16185\/revisions\/16211"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ufmg.br\/centrocultural\/wp-json\/wp\/v2\/media\/16188"}],"wp:attachment":[{"href":"https:\/\/www.ufmg.br\/centrocultural\/wp-json\/wp\/v2\/media?parent=16185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufmg.br\/centrocultural\/wp-json\/wp\/v2\/categories?post=16185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufmg.br\/centrocultural\/wp-json\/wp\/v2\/tags?post=16185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}