{"id":6979,"date":"2022-10-10T10:39:51","date_gmt":"2022-10-10T13:39:51","guid":{"rendered":"https:\/\/www.ufmg.br\/ieat\/?page_id=6979"},"modified":"2025-08-12T14:13:09","modified_gmt":"2025-08-12T17:13:09","slug":"fantasy-and-rigor","status":"publish","type":"page","link":"https:\/\/www.ufmg.br\/ieat\/en\/events-2\/tansdisciplinary-meetings\/fantasy-and-rigor\/","title":{"rendered":"Fantasy and rigor"},"content":{"rendered":"<p><strong>Date:<\/strong> June 7, 2006<br \/>\n<strong>Location:<\/strong> Auditorium 1 \u2013 Institute of Biological Sciences, UFMG<\/p>\n<p>The term fantasy is often used to refer to the field of art, and the term rigor as a boundary to demarcate the field of science. The aim here is to destabilize these dichotomous relationships and situate the terms fantasy and rigor in the elaboration of the artist&#8217;s work as an experiment, toward the uncertainty of the work, from Maurice Blanchot&#8217;s perspective, in dialogue with the idea of the provisional in the Cartesian discourse of method.<\/p>\n<p><strong>Speakers:<\/strong> \u00c2ngelo Machado \u2013 Institute of Biological Sciences, UFMG. Daisy Leite Turrer \u2013 School of Fine Arts, UFMG. Jos\u00e9 dos Santos Cabral \u2013 School of Architecture, UFMG<\/p>\n<style>#sp-ea-1854 .spcollapsing { height: 0; overflow: hidden; transition-property: height;transition-duration: 500ms;}#sp-ea-1854.sp-easy-accordion>.sp-ea-single {margin-bottom: 10px; border: 1px solid #e2e2e2; }#sp-ea-1854.sp-easy-accordion>.sp-ea-single>.ea-header a {color: #444;}#sp-ea-1854.sp-easy-accordion>.sp-ea-single>.sp-collapse>.ea-body {background: #fff; color: #444;}#sp-ea-1854.sp-easy-accordion>.sp-ea-single {background: #eee;}#sp-ea-1854.sp-easy-accordion>.sp-ea-single>.ea-header a .ea-expand-icon { float: left; color: #444;font-size: 16px;}<\/style><div id=\"sp_easy_accordion-1787523957\"><div id=\"sp-ea-1854\" class=\"sp-ea-one sp-easy-accordion\" data-ea-active=\"ea-click\" data-ea-mode=\"vertical\" data-preloader=\"\" data-scroll-active-item=\"\" data-offset-to-scroll=\"0\"><div class=\"ea-card ea-expand sp-ea-single\"><h3 class=\"ea-header\"><a class=\"collapsed\" id=\"ea-header-18540\" role=\"button\" data-sptoggle=\"spcollapse\" data-sptarget=\"#collapse18540\" aria-controls=\"collapse18540\" href=\"#\" aria-expanded=\"true\" tabindex=\"0\"><i aria-hidden=\"true\" role=\"presentation\" class=\"ea-expand-icon eap-icon-ea-expand-minus\"><\/i> V\u00eddeos<\/a><\/h3><div class=\"sp-collapse spcollapse collapsed show\" id=\"collapse18540\" data-parent=\"#sp-ea-1854\" role=\"region\" aria-labelledby=\"ea-header-18540\"> <div class=\"ea-body\">No Content<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Date: June 7, 2006 Location: Auditorium 1 \u2013 Institute of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1526,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-6979","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ufmg.br\/ieat\/wp-json\/wp\/v2\/pages\/6979","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufmg.br\/ieat\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ufmg.br\/ieat\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufmg.br\/ieat\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufmg.br\/ieat\/wp-json\/wp\/v2\/comments?post=6979"}],"version-history":[{"count":1,"href":"https:\/\/www.ufmg.br\/ieat\/wp-json\/wp\/v2\/pages\/6979\/revisions"}],"predecessor-version":[{"id":6980,"href":"https:\/\/www.ufmg.br\/ieat\/wp-json\/wp\/v2\/pages\/6979\/revisions\/6980"}],"up":[{"embeddable":true,"href":"https:\/\/www.ufmg.br\/ieat\/wp-json\/wp\/v2\/pages\/1526"}],"wp:attachment":[{"href":"https:\/\/www.ufmg.br\/ieat\/wp-json\/wp\/v2\/media?parent=6979"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}